Prince Albert used photography to document exhibitions and works of art
After Parmigianino (Parma 1503-Casalmaggiore 1540)
The School of Athens c. 1857
Albumen print? | RCIN 2864429
After Parmigianino (Parma 1503-Casalmaggiore 1540)
The School of Athens c. 1857
A photograph of a drawing by Parmigianino now in the Royal Library at Windsor Castle (RCIN 990533). The drawing reproduces the composition of Raphael's 'School of Athens', but with a few significant differences including the absence of the figure of Heraclitus in the centre foreground. The Windsor sheet also differs from Raphael's cartoon (Ambrosiana, Milan) in a few details (i.e., the inclusion of the relief of Philosophy in the architecture to the right). It has been suggested that the Windsor sheet may be a copy after a lost drawing by Raphael. For further discussion, see Bibliographic References.
A copy of this photograph (RCIN 852545) can be found in the Prince Consort's Raphael Collection, portfolio 26 (970585)
A copy of this photograph (RCIN 852545) can be found in the Prince Consort's Raphael Collection, portfolio 26 (970585)
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Creator(s)
After Parmigianino (Parma 1503-Casalmaggiore 1540) (artist)
After a work copying Raphael (Urbino 1483-Rome 1520) (artist)
Attributed to Charles Thurston Thompson (1816-68) (photographer)
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Acquired by Queen Victoria and Prince Albert
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Object type(s)
- visual works
- photographs
Subject(s)
- Places
- Europe
- Italy
- Lazio [Italy]
- Rome [Lazio]
- Vatican City [Rome]
- Vatican Palace [Vatican City]
- Stanza della Segnatura [Vatican Palace]
- Vatican-Stanza della Segnatura-School of Athens
- Stanza della Segnatura [Vatican Palace]
- Vatican Palace [Vatican City]
- Vatican City [Rome]
- Rome [Lazio]
- Lazio [Italy]
- Italy
- Europe
- visual works
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Bibliographic reference(s)
Weigel 1865 : Weigel, R., 1865. Die Werke der maler in ihren Hand zeichnungen, 2 vols, Leipzig. vol.2, p.587, no.6962
P&W : Popham, A.E. & Wilde, J., 1949. The Italian Drawings of the XV and XVI Centuries in the Collection of His Majesty The King at Windsor Castle, London pp.284-5, no.598r
Haverkamp-Begemann 1988 : Haverkamp-Begemann, E. Creative Copies. Interpretative Drawings from Michelangelo to Picasso, 1988. pp.47-9, no.8 (entry by Judith Cohen)
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The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.