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Tapestries

Tapestries

AFTER A WORK COPYING THE WORKSHOP OF RAPHAEL

The Resurrection of Christ

c.1853-76

Albumen print | 27.5 x 51.9 cm (sheet of paper) | RCIN 853285

A photograph of a 16th-century drawing now in the Ashmolean Museum, Oxford (inv. no.WA1846.300).
Although omitting a few details, the drawing corresponds with the tapestry of this subject part of the so-called 'Scuola Nuova' set, a twelve-piece set depicting scenes from the Life of Christ (eleven of which survive today in the Vatican Museums).

Another drawing of this composition is in the Musée du Louvre, Paris (inv. no.3968).

The ‘Scuola Nuova’ set was probably commissioned by Pope Leo X, but the project seems to have been reactivated by Clement VII after his election as pope in 1523. Apparently designed by Raphael’s former assistants after the death of the master (perhaps incorporating some models by Raphael himself), the tapestries were woven in the workshop of Pieter van Aelst and completed by 1531, when the set was delivered to Rome. Ruland (1876) seemed to accept the view that the ‘Scuola Nuova’ set was a gift to Leo X from Francis I on the occasion of the canonization of Francesco di Paola in 1519. For further discussion, see Bibliographic References.
  • Creator(s)

    After a work copying The Workshop of Raphael (artist)

    After a work previously attributed to Raphael (Urbino 1483-Rome 1520) (artist)

  • 27.5 x 51.9 cm (sheet of paper)

  • Acquired for the Prince Consort's Raphael Collection (c.1853-76)

  • Subject(s)
    • Religion & Theology
      • Religions and faiths
        • Christianity
          • Life of Christ
            • Resurrection of Christ
  • Bibliographic reference(s)

    p.622, no.1030 (Cordellier/Py 1992 : Raphael : son atelier, ses copistes, 1992 / par Dominique Cordellier et Bernadette Py, Paris (Inventaire general des dessins Italiens ; V / sous la direction de Francoise Viatte))

    pp.236-41 (Tapestry in the Renaissance 2002 : Tapestry in the Renaissance. Art and Magnificence, ed. Thomas P. Campbell, The Metropolitan Museum of Art 2002)