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Tapestries

Tapestries

AFTER A WORK BY THE SCHOOL OF RAPHAEL (1483-1520)

The Massacre of the Innocents

c.1680-1800

Etching | 24.5 x 18.5 cm (sheet of paper) | RCIN 853247

An anonymous print reproducing the composition of one of the three panels forming the tapestry of The Massacre of the Innocents, part of a twelve-piece set depicting scenes from the Life of Christ traditionally known as Scuola Nuova (eleven of which survive today in the Vatican Museums). Lettered with attribution of the design to Raphael.

The Scuola Nuova set was probably commissioned by Pope Leo X, but the project seems to have been reactivated by Clement VII after his election as pope in 1523. Apparently designed by Raphael’s former assistants after the death of the master (perhaps incorporating some models by Raphael himself), the tapestries were woven in the Brussels workshop of Pieter van Aelst and completed by 1531, when the set was delivered to Rome. Ruland (1876) seemed to accept the view that the Scuola Nuova set was a gift to Leo X from Francis I on the occasion of the canonization of Francesco di Paola in 1519. For further discussion, see Bibliographic References
  • Creator(s)

    After a work by the school of Raphael (1483-1520) (designer)

  • 24.5 x 18.5 cm (sheet of paper)

  • Added to the Prince Consort's Raphael Collection (c.1853-76)

  • Subject(s)
    • Religion & Theology
      • Religions and faiths
        • Christianity
          • Bible & Holy Scripture
            • New Testament
    Object type(s)
      • visual works
        • prints
  • Bibliographic reference(s)

    Catalogue of the Department of Prints and Drawings in the British Museum. v. P. Pouncey and J.A.Gere, Raphael and His Circle (1962); pp.80-81

    Cordellier/Py 1992 : Raphael : son atelier, ses copistes, 1992 / par Dominique Cordellier et Bernadette Py, Paris (Inventaire general des dessins Italiens ; V / sous la direction de Francoise Viatte) pp.616-17

    Tapestry in the Renaissance 2002 : Tapestry in the Renaissance. Art and Magnificence, ed. Thomas P. Campbell, The Metropolitan Museum of Art 2002 pp.236-41

    Other number(s)

    Ruland p.255 C.I.32