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Tapestries

Tapestries

CAIETANUS LE POER (ACTIVE 1728)

Putti playing among garlands

c.1728

Etching | 24.6 x 38.7 cm (sheet of paper) | RCIN 853331

A print reproducing a soprapporta (overdoor) from a set of tapestries illustrating scenes from the Life of Moses. Lettered with attribution of the design to Raphael and printmaker's name. With the Gonzaga arms. This print is from a series generally dated 1728, reproducing tapestries from the before-mentioned set.

Scholars have generally assumed that the set of the Story of Moses was woven in the workshop of Nicolas Karcher in Mantua, after designs showing stylistic relation to Giulio Romano, who has often been credited as the designer of the whole set, the original size of which is subject of debate. Although all the extant tapestries - now in the Museo del Duomo, Milan - carry the arms of Guglielmo Gonzaga, the exact identity of the set's commissioner and its execution date remain controversial. For further discussion, see Bibliographic References.
  • Creator(s)

    Caietanus Le Poer (active 1728) (etcher)

    After a work associated with Giulio Romano (Rome c. 1499-Mantua 1546) (designer)

    After a work previously attributed to Raphael (1483-1520) (designer)

  • annotation: 209 [front, lower right, in brown ink]

  • 24.6 x 38.7 cm (sheet of paper)

  • Added to the Prince Consort's Raphael Collection (c.1853-76)

  • Subject(s)
    • Natural Sciences & Mathematics
      • Biological sciences
        • Zoology
          • Animals
            • Mythical creatures
              • Putti
    • Arts, Recreation, Entertainment & Sport
      • Decorative techniques & surface decoration
        • Floral decorations
          • Garlands
      • Tapestries
    Object type(s)
      • visual works
        • prints
  • Bibliographic reference(s)

    Catalogue of the Department of Prints and Drawings in the British Museum. v. P. Pouncey and J.A.Gere, Raphael and His Circle (1962); p.85, under no.152

    Tapestry in the Renaissance 2002 : Tapestry in the Renaissance. Art and Magnificence, ed. Thomas P. Campbell, The Metropolitan Museum of Art 2002 pp.488-93

    Other number(s)

    Ruland p.259 D.II.7