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Other Frescoes

Other Frescoes

LAMBERT SUAVIUS (C. 1510-67)

Venus and Psyche

1530-1557

Engraving | 25.8 x 17.0 cm (sheet of paper) | RCIN 853948

A print by Lambert Suavius reproducing, in reverse, a drawing by Raphael in the Louvre, Paris (inv.no.3875), for the pendentive fresco depicting Psyche and Venus from the vault of the entrance loggia of the Farnesina, Agostino Chigi's villa in Rome, which was frescoed with mythological subjects by Raphael's workshop c.1518. Lettered within a tablet at bottom right with attribution of the design to Raphael and the printmaker's monogram (Nagler, vol.IV, 1344). Trimmed within platemark. Annotated on verso.

The fresco decoration in the Farnesina illustrates the classical fable of Cupid and Psyche, a story which was also frequently used to decorate Florentine wedding chests. Raphael's fresco scheme comprises two primary scenes in the vault (painted to resemble tapestries), accompanied by a series of episodes painted in the pendentives. The whole is encompassed within a fictive pergola, which gives the viewer the impression of looking up into the heavens. Only the upper part of the loggia is painted (the vault and its supporting pendentives and spandrels).
  • Creator(s)

    Lambert Suavius (c. 1510-67) (engraver)

    After Raphael (Urbino 1483-Rome 1520) (artist)

  • No 27; Bottom

  • 25.8 x 17.0 cm (sheet of paper)

  • Added to the Prince Consort's Raphael Collection (c.1853-76)

  • Subject(s)
    • Religion & Theology
      • Religions and faiths
        • Religions of antiquity
          • Classical mythology
            • Psyche
            • Venus (mythology)
  • Bibliographic reference(s)

    p.350, no.E8.14 (Höper 2001 : Höper, C. Raffael und die Folgen, Hatje Cantz Verlag, 2001)

    p.372, n.548 (Cordellier/Py 1992 : Raphael : son atelier, ses copistes, 1992 / par Dominique Cordellier et Bernadette Py, Paris (Inventaire general des dessins Italiens ; V / sous la direction de Francoise Viatte))

    pp.183-89 (Jones/Penny 1983 : Jones, R. and Penny, N. Raphael, 1983)