The Fourteen Amorini: Cupid with Hercules' club

An engraving in reverse after a detail of the fresco in the vault of the entrance loggia of the Farnesina, Agostino Chigi's villa in Rome, which was frescoed with mythological subjects by Raphael's workshop c.1518. In the fourteen lunettes of the bays are Amorini or Cupids, with the attributes of the deities who have done homage to Love. This shows two Cupids with Hercules' club. Trimmed within platemark.

This print was known to Bartsch with the inscription at the lower centre; he states that this print was taken after a drawing by Raphael, without specifying the engraver, while Ruland (1876) attributed it to Marcantonio Raimondi (see Bibliographic Reference).

The fresco decoration in the Farnesina illustrates the classical fable of Cupid and Psyche, a story which was also frequently used to decorate Florentine wedding chests. Raphael's fresco scheme comprises two primary scenes in the vault (painted to resemble tapestries), accompanied by a series of episodes painted in the pendentives. The whole is encompassed within a fictive pergola, which gives the viewer the impression of looking up into the heavens. Only the upper part of the loggia is painted (the vault and its supporting pendentives and spandrels).