Other Frescoes
Other Frescoes
STEFANO MULINARI (1741-90)
The Fourteen Amorini: Cupid taming a lion
c.1750-1800Engraving | 21.3 x 31.0 cm (sheet of paper) | RCIN 854030
A facsimile engraving of a drawing by Pietro da Cortona after a detail of the fresco in the vault of the entrance loggia of the Farnesina, Agostino Chigi's villa in Rome, which was frescoed with mythological subjects by Raphael's workshop c.1518. In the fourteen lunettes of the bays are Amorini or Cupids, with the attributes of the deities who have done homage to Love. This shows Cupid taming a lion and a sea-horse. Publication details, the name of the intermediate draughstman and the identification of Raphael as the painter of the fresco are at the bottom centre. Trimmed within platemark. Annotated on the verso.
Stefano Mulinari made his reputation by engraving reproductions of the drawings of the great Italian painters and many prints of drawings by Cortona after Raphael are known.
The fresco decoration in the Farnesina illustrates the classical fable of Cupid and Psyche, a story which was also frequently used to decorate Florentine wedding chests. Raphael's fresco scheme comprises two primary scenes in the vault (painted to resemble tapestries), accompanied by a series of episodes painted in the pendentives. The whole is encompassed within a fictive pergola, which gives the viewer the impression of looking up into the heavens. Only the upper part of the loggia is painted (the vault and its supporting pendentives and spandrels).
Stefano Mulinari made his reputation by engraving reproductions of the drawings of the great Italian painters and many prints of drawings by Cortona after Raphael are known.
The fresco decoration in the Farnesina illustrates the classical fable of Cupid and Psyche, a story which was also frequently used to decorate Florentine wedding chests. Raphael's fresco scheme comprises two primary scenes in the vault (painted to resemble tapestries), accompanied by a series of episodes painted in the pendentives. The whole is encompassed within a fictive pergola, which gives the viewer the impression of looking up into the heavens. Only the upper part of the loggia is painted (the vault and its supporting pendentives and spandrels).
Creator(s)
Stefano Mulinari (1741-90) (engraver)
After a work attributed to the workshop of Raphael (Urbino 1483-Rome 1520) (artist)
After Pietro da Cortona (Cortona 1596-Rome 1669) (draughtsman)
Left
21.3 x 31.0 cm (sheet of paper)
- Added to the Prince Consort's Raphael Collection (c.1853-76)
Subject(s)
- Putti
- Religion & Theology
- Religions and faiths
- Religions of antiquity
- Classical mythology
- Cupid
- Classical mythology
- Religions of antiquity
- Religions and faiths
- Natural Sciences & Mathematics
- Zoology
- Animals
- Mammals
- Carnivorous mammals
- Felines
- Lions
- Felines
- Carnivorous mammals
- Fish
- Sea horses
- Mammals
- Animals
- Zoology
Bibliographic reference(s)
pp.183-89 (Jones/Penny 1983 : Jones, R. and Penny, N. Raphael, 1983)