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Other Frescoes

Other Frescoes

A study for the Marriage of Alexander and Roxana

c.1530-1550

Engraving | RCIN 854047

An engraving copying in reverse a print by Caraglio, which probably reproduces a drawing now in the Louvre, Paris (inv. no. 3885) depicting the scene of the Marriage of Alexander and Roxana. This engraved copy has been attributed to the Master of the Die based on Passavant's suggestion (see Bibliographic References). This print is lettered in Italian with a long inscription explaining the subject at the bottom centre. Trimmed within platemark. With unidentified collector's mark at bottom left.

A number of Raphaelesque drawings of this scene, including this one, have been related by some scholars to a lost drawing by Raphael for the "Sala di Alexander e Roxana" in the Villa Farnesina, which was frescoed by Sodoma with many differences. This theme was also frescoed in Raphael's Villa, the so-called Casino Raffaello and the detached fresco is now in the Galleria Borghese (inv. no. 303). This building — a small summer-house, also known as the Casino Olgiati — was destroyed in the siege of Rome in 1849 and used to be in the Galoppatoio area of the present-day Borghese Park. Ruland (1876) notes that: "the three principal frescoes have been removed before". In the life of Raphael written by Quatremere de Quincy and translated into Italian by Francesco Longhena in 1829, it is noted that seven prints after the paintings of this Villa were made by Francesco Saverio Gonzales, five of which are in the Royal Collection (see RCINs 854035.a-d and 854037). Longhena also writes that in the Villa there was a portrait of La Fornarina, the fresco of the Marriage of Alexander and Roxana, representations of the Vices with arrows and the Sacrifice of Flora on the ceiling.

This fresco derives from Luciano's story in the dialogue "Herodotus sive Action".
  • Added to the Prince Consort's Raphael Collection (c.1853-76)