Other Frescoes
Other Frescoes
A study for the Marriage of Alexander and Roxana
c.1720-1750Chiaroscuro etching printed in brown | RCIN 854045
An etching in reverse of a pen and bister washed drawing heightened with white now in the Louvre, Paris (inv. no. 3885), depicting the scene of the Marriage of Alexander and Roxana. This drawing was classified amongst the sheets attributed to Raphael by F. Reiset, but then attributed to Tommaso Vincidor following a proposal by K. Oberhuber (see Bibliographic Reference).
This print was part of the "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France" (also known as 'Recueil Crozat'), a series of prints commissioned by Crozat, with 140 plates published in 1729 and a second volume in 1740. This print is lettered with the title and production detail ("D'apres le dessein de Raphael d'Urbine qui est dans le Cabinet de Mr Crozat / Gravé de la méme grandeur a l'eau forte par Mr le C de C et en bois sous par Nicolas le Sueur"); it is numbered at the lower right: "36". See also RCINs 854041 and 854044 for other prints related to this composition in the Recueil Crozat.
A number of Raphaelesque drawings of this scene, including this one, have been related by some scholars to a lost drawing by Raphael for the "Sala di Alexander e Roxana" in the Villa Farnesina, which was frescoed by Sodoma with many differences. This theme was also frescoed in Raphael's Villa, the so-called Casino Raffaello and the detached fresco is now in the Galleria Borghese (inv. no. 303). This building — a small summer-house, also known as the Casino Olgiati — was destroyed in the siege of Rome in 1849 and used to be in the Galoppatoio area of the present-day Borghese Park. Ruland (1876) notes that: "the three principal frescoes have been removed before". In the life of Raphael written by Quatremere de Quincy and translated into Italian by Francesco Longhena in 1829, it is noted that seven prints after the paintings of this Villa were made by Francesco Saverio Gonzales, five of which are in the Royal Collection (see RCINs 854035.a-d and 854037). Longhena also writes that in the Villa there was a portrait of La Fornarina, the fresco of the Marriage of Alexander and Roxana, representations of the Vices with arrows and the Sacrifice of Flora on the ceiling.
This fresco derives from Luciano's story in the dialogue "Herodotus sive Action".
This print was part of the "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France" (also known as 'Recueil Crozat'), a series of prints commissioned by Crozat, with 140 plates published in 1729 and a second volume in 1740. This print is lettered with the title and production detail ("D'apres le dessein de Raphael d'Urbine qui est dans le Cabinet de Mr Crozat / Gravé de la méme grandeur a l'eau forte par Mr le C de C et en bois sous par Nicolas le Sueur"); it is numbered at the lower right: "36". See also RCINs 854041 and 854044 for other prints related to this composition in the Recueil Crozat.
A number of Raphaelesque drawings of this scene, including this one, have been related by some scholars to a lost drawing by Raphael for the "Sala di Alexander e Roxana" in the Villa Farnesina, which was frescoed by Sodoma with many differences. This theme was also frescoed in Raphael's Villa, the so-called Casino Raffaello and the detached fresco is now in the Galleria Borghese (inv. no. 303). This building — a small summer-house, also known as the Casino Olgiati — was destroyed in the siege of Rome in 1849 and used to be in the Galoppatoio area of the present-day Borghese Park. Ruland (1876) notes that: "the three principal frescoes have been removed before". In the life of Raphael written by Quatremere de Quincy and translated into Italian by Francesco Longhena in 1829, it is noted that seven prints after the paintings of this Villa were made by Francesco Saverio Gonzales, five of which are in the Royal Collection (see RCINs 854035.a-d and 854037). Longhena also writes that in the Villa there was a portrait of La Fornarina, the fresco of the Marriage of Alexander and Roxana, representations of the Vices with arrows and the Sacrifice of Flora on the ceiling.
This fresco derives from Luciano's story in the dialogue "Herodotus sive Action".
- Added to the Prince Consort's Raphael Collection (c.1853-1876)
