Raphael was especially esteemed for his Madonna and Child compositions
After a work copying Raphael (Urbino 1483-Rome 1520)
The Virgin and Child with the Infant Baptist c.1853-76
Salted paper print | 14.2 x 11.6 cm (sheet of paper) | RCIN 850885
A photograph of a painting described by Ruland (1876) as being then in the possession of Baron Minutoli, Liegnitz. The painting freely adapts the composition of Raphael’s co-called Garvagh Madonna also known as Aldobrandini Madonna) now in the National Gallery, London (inv. no.NG 744). For a print after the photographed painting, see RCIN 850886. See RCIN 850881 for a photograph of the Aldobrandini Madonna.
Showing the seated figure of the Virgin holding the Christ Child on her lap, who reaches for the carnation presented by the Infant Baptist who sits on a cushion on the right.
Showing the seated figure of the Virgin holding the Christ Child on her lap, who reaches for the carnation presented by the Infant Baptist who sits on a cushion on the right.
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Creator(s)
After a work copying Raphael (Urbino 1483-Rome 1520) (artist)
Subject(s)
Blessed Virgin Mary -
14.2 x 11.6 cm (sheet of paper)
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Acquired for the Prince Consort's Raphael Collection (c.1853-76)
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Object type(s)
- visual works
- photographs
Subject(s)
- Religion & Theology
- Religions and faiths
- Christianity
- Devotional Images of Christ
- Virgin & Child
- Life of Christ
- Infancy of Christ
- Christ Child
- Infancy of Christ
- Devotional Images of Christ
- Christianity
- Religions and faiths
- visual works
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Other number(s)
Ruland p.70 A.XXVII.8
Bibliographic reference(s)
Capellen 2005 : Capellen, JM, 2005. Raphael : the paintings. Volume 2, The Roman Religious Paintings ca.1508-1520 pp. 73-76, no. 48
In Partnership with
The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.