Raphael was especially esteemed for his Madonna and Child compositions
Alvise Povelato (active 1780)
The Virgin and Child with Pinks [‘Madonna dei Garofani’] dated 1780
Engraving | 24.8 x 17.9 cm (sheet of paper) | RCIN 850741
![The Virgin and Child with Pinks [`Madonna dei Garofani?]](https://albert.rct.uk/sites/default/files/styles/rctr-scale-1300-500/public/collection-online/a/a/741614-1520337668.jpg?itok=3eDpXDgU "The Virgin and Child with Pinks [`Madonna dei Garofani?]")
An engraving reproducing (in reverse) the composition of Raphael's so-called Madonna dei Garofani (or Madonna of the Pinks) currently in the National Gallery, London (inv. no.NG 6596). Lettered with production details. It has been suggested that this engraving may have been based upon a print by Jean Boulanger, an impression of which can be found at RCIN 850642. For further discussion, see Bibliographic References.
Showing the seated Virgin holding the Christ Child seating on a cushion on her lap and captivating his attention with some pinks; in an interior with a view on a landscape.
Showing the seated Virgin holding the Christ Child seating on a cushion on her lap and captivating his attention with some pinks; in an interior with a view on a landscape.
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Creator(s)
Alvise Povelato (active 1780) (engraver)
After Raphael (Urbino 1483-Rome 1520) (artist)
Viero, Throdorum: Venice (publisher)
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24.8 x 17.9 cm (sheet of paper)
23.2 x 17.7 cm (image)
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Dilectus meus mihi, et ego illi
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Added to the Prince Consort's Raphael Collection (c.1853-76)
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Object type(s)
- visual works
- prints
Subject(s)
- Religion & Theology
- Religions and faiths
- Christianity
- Devotional Images of Christ
- Virgin & Child
- Devotional Images of Christ
- Christianity
- Religions and faiths
- Natural Sciences & Mathematics
- Botany
- Systematic botany
- Flowering plants
- Pinks
- Flowering plants
- Systematic botany
- Botany
- visual works
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Other number(s)
Ruland p.61 A.XV.4
Bibliographic reference(s)
Capellen 2001 : Capellen, JM, 2001. Raphael : the paintings. Volume 1, The Beginning in Umbria and Florence ca.1500-1508 pp. 210-213, no. 25
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The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.