The frescoes in the Vatican Palace commissioned by Popes Julius II and Leo X
Filippo Cenci (b. 1810)
Allegorical figure of Religion [from the Sala di Costantino] c.1830-76
Engraving | 52.6 x 37.9 cm (sheet of paper) | RCIN 852963
![Allegorical figure of Religion [from the Sala di Costantino]](https://albert.rct.uk/sites/default/files/styles/rctr-scale-1300-500/public/collection-online/7/2/760357-1527675601.jpg?itok=j-kbk_dR "Allegorical figure of Religion [from the Sala di Costantino]")
A print reproducing the allegorical figure of Religion, painted next to a niched pope (Alexander I or Sylvester I?) to the left of the fresco of The Battle of Constantine at the Milvian Bridge, executed by Raphael's workshop in the Sala di Costantino in the Vatican between 1520 and 1524. The setting has been modified. Lettered with title and artists' names. Stamped with the blind stamp of the Calcografia di Roma (Lugt 426e).
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Creator(s)
Filippo Cenci (b. 1810) (engraver)
After a work by the workshop of Raphael (Urbino 1483-Rome 1520) (artist)
Antonio Baruffaldi (1793-1819) (designer)
Rome : Calcografia Camerale (publisher)
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52.6 x 37.9 cm (sheet of paper)
49.1 x 35.0 cm (platemark)
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LA RELIGIONE
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Added to the Prince Consort's Raphael Collection (c.1853-76)
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Object type(s)
- visual works
- prints
Subject(s)
- Philosophy & Psychology
- Philosophy
- Allegory
- Philosophy
- Places
- Europe
- Italy
- Lazio [Italy]
- Rome [Lazio]
- Vatican City [Rome]
- Vatican Palace [Vatican City]
- Sala di Costantino [Vatican Palace]
- Vatican Palace [Vatican City]
- Vatican City [Rome]
- Rome [Lazio]
- Lazio [Italy]
- Italy
- Europe
- visual works
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Other number(s)
Ruland p.238 C.III.4
Bibliographic reference(s)
Raphael Invenit 1985 : G. Bernini Pezzini et al., Raphael Invenit. Stampe di Raffaello nelle Collezioni dell'Istituto Nazionale per la Grafica, Rome, 1985 p.116, no.VII.3 (entry by Grazia Bernini Pezzini)
Höper 2001 : Höper, C. Raffael und die Folgen, Hatje Cantz Verlag, 2001 p.420, no.F 25.4
In Partnership with
The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.