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Studies

Studies

AFTER A WORK COPYING THE CIRCLE OF PIETRO PERUGINO (CITTÀ DELLA PIEVE C.1450-FONTIGNANO 1523)

St Andrew

published 1829

Etching | 26.8 x 21.2 cm (sheet of paper) | RCIN 854652

A facsimile etching of a drawing depicting a standing man now in the Gallerie dell'Accademia, Venice (inv. no. 22 recto). See RCIN 854651 for a photograph of the drawing. This print was catalogued by Ruland (1876) as having been 'published by Celotti'; by this he was presumably referring to Luigi Celotti's 'Disegni originali di Raffaello Sanzio, per la prima volta pubblicati (da Luigi Celotti), esistenti nella Imperial Regia Accademia di belle arti di Venezia' (1829). Lettered with attribution of the drawing to Raphael, and numbered within the plate at top right: XII.

Ferino Pagden (see Bibliographic References) gives an account of the various scholarly opinions about the original model for this figure. It is catalogued as St Andrew and it probably comes from a composition originating within Pietro Perugino's circle.

This drawing is part of the so-called "Libretto di Raffaello" or "Libretto Veneziano", 53 sheets that used to be mounted in a volume. After complicated negotiations, the sketchbook was bought by the museum in the 1820s, after the death of Giuseppe Bossi, who was its previous owner. A number of scholars debated the author of the drawings (with many names proposed, such as Pinturicchio, Antonio da Viterbo, Eusebio del Giorgio, Girolamo Genga) and their date. In 1984, the Gallerie dell'Accademia catalogued the drawings as by an artist contemporary to Raphael, whose juvenile works he copied in this sketchbook (see Bibliographic References).

  • Creator(s)

    After a work copying the circle of Pietro Perugino (Città della Pieve c.1450-Fontignano 1523) (artist)

    Luigi Celotti (1759-1843) (publisher)

  • 26.8 x 21.2 cm (sheet of paper)

    25.5 x 19.6 cm (platemark)

  • Added to the Prince Consort's Raphael Collection (c.1853-1876)

  • Subject(s)
    • Men