Raphael's drawings, as well as those attributed to him in the 19th century
After a work previously attributed to the studio of Raphael (Urbino 1483-Rome 1520)
A fight between tritons and nude men c.1853-1876
Albumen print | 10.1 x 27.3 cm (sheet of paper) | RCIN 854599
A photograph of an anonymous drawing now in the Musée Condé, Chantilly (inv. no.65 (57)). This drawing seems to be inspired by a bas-relief or a frieze. Annotated on the verso.
In the catalogue of the drawings at the Musée Condé (see Bibliographic References), it is noted that the function and subject of this drawing are uncertain. It is also suggested that rather than an artist close to Raphael's circle, this drawing could have been executed by an artist from Emilia.
In the catalogue of the drawings at the Musée Condé (see Bibliographic References), it is noted that the function and subject of this drawing are uncertain. It is also suggested that rather than an artist close to Raphael's circle, this drawing could have been executed by an artist from Emilia.
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Creator(s)
After a work previously attributed to the studio of Raphael (Urbino 1483-Rome 1520) (draughtsman)
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annotation: illegible [verso, centre, in ink]
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10.1 x 27.3 cm (sheet of paper)
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Acquired for the Prince Consort's Raphael Collection (c.1853-76)
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Object type(s)
- visual works
- photographs
Subject(s)
- Religion & Theology
- Religions and faiths
- Religions of antiquity
- Classical mythology
- Triton (myth)
- Classical mythology
- Religions of antiquity
- Religions and faiths
- Places
- Physiography
- Oceans
- Sea
- Oceans
- Physiography
- Science, Medicine and Technology
- Engineering & Technology
- Military engineering
- Arms (weapons)
- Tridents
- Arms (weapons)
- Military engineering
- Engineering & Technology
- visual works
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Other number(s)
Ruland p. 349 B.XII.1
Bibliographic reference(s)
Peronnet 1997 : Peronnet, B, 1997. Dessins italiens du Musee Conde a Chantilly II. Raphael et son cercle, Paris pp.146-147, no. 50
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