Other Frescoes
Other Frescoes
The Marriage of Alexander and Roxana
c.1789-1798Etching with aquatint | RCIN 854050
A facsimile etching of a drawing previously in the collection of E. Knight (possibly Edward Knight,1768-1852), depicting the scene of the Marriage of Alexander and Roxana.
Ruland (1876) states that this drawing was "a free imitation of Raphael's composition of a later master". This print is part of a larger publication of one-hundred-and-thirty-nine prints by Conrad Metz reproducing drawings by Old Masters and modern artists, called "Imitations of Ancient and Modern Drawings". The first edition was published in 1789, the second in 1798. At the bottom of the print, there is the identification of Raphael as the draughtsman, the information about the owner of the drawing and the signature of the printmaker.
A number of Raphaelesque drawings of this scene, including this one, have been related by some scholars to a lost drawing by Raphael for the "Sala di Alexander e Roxana" in the Villa Farnesina, which was frescoed by Sodoma with many differences. This theme was also frescoed in Raphael's Villa, the so-called Casino Raffaello and the detached fresco is now in the Galleria Borghese (inv. no. 303). This building — a small summer-house, also known as the Casino Olgiati — was destroyed in the siege of Rome in 1849 and used to be in the Galoppatoio area of the present-day Borghese Park. Ruland (1876) notes that: "the three principal frescoes have been removed before". In the life of Raphael written by Quatremere de Quincy and translated into Italian by Francesco Longhena in 1829, it is noted that seven prints after the paintings of this Villa were made by Francesco Saverio Gonzales, five of which are in the Royal Collection (see RCINs 854035.a-d and 854037). Longhena also writes that in the Villa there was a portrait of La Fornarina, the fresco of the Marriage of Alexander and Roxana, representations of the Vices with arrows and the Sacrifice of Flora on the ceiling.
This fresco derives from Luciano's story in the dialogue "Herodotus sive Action".
Ruland (1876) states that this drawing was "a free imitation of Raphael's composition of a later master". This print is part of a larger publication of one-hundred-and-thirty-nine prints by Conrad Metz reproducing drawings by Old Masters and modern artists, called "Imitations of Ancient and Modern Drawings". The first edition was published in 1789, the second in 1798. At the bottom of the print, there is the identification of Raphael as the draughtsman, the information about the owner of the drawing and the signature of the printmaker.
A number of Raphaelesque drawings of this scene, including this one, have been related by some scholars to a lost drawing by Raphael for the "Sala di Alexander e Roxana" in the Villa Farnesina, which was frescoed by Sodoma with many differences. This theme was also frescoed in Raphael's Villa, the so-called Casino Raffaello and the detached fresco is now in the Galleria Borghese (inv. no. 303). This building — a small summer-house, also known as the Casino Olgiati — was destroyed in the siege of Rome in 1849 and used to be in the Galoppatoio area of the present-day Borghese Park. Ruland (1876) notes that: "the three principal frescoes have been removed before". In the life of Raphael written by Quatremere de Quincy and translated into Italian by Francesco Longhena in 1829, it is noted that seven prints after the paintings of this Villa were made by Francesco Saverio Gonzales, five of which are in the Royal Collection (see RCINs 854035.a-d and 854037). Longhena also writes that in the Villa there was a portrait of La Fornarina, the fresco of the Marriage of Alexander and Roxana, representations of the Vices with arrows and the Sacrifice of Flora on the ceiling.
This fresco derives from Luciano's story in the dialogue "Herodotus sive Action".
Added to the Prince Consort's Raphael Collection (c.1853-1876)
